With Hideko Takamine, Tatsuya Nakadai, Masayuki Mori, Reiko Dan. "When a Woman Ascends the Stairs" turned out to be extremely modern and easy to watch. Thanks to Lumenal here on Letterboxd I made it my mission to see this one as soon as possible, and now it feels like I've been introduced to a whole new world of Japanese cinema. When a Woman Ascends the Stairs - Weduwe Keiko is een ‘mama-san’, barvrouw in de rosse buurt van Tokio. Hideko Takamine is perfect in the main role, taking on specific and symbolic weight with naturalistic brilliance. please give this a watch! It is an escape, after all, and escapism can only go so far before reality forces it's ugly hand. A stylish appearance masking a harsh reality is a persistent theme here. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. A middle-aged bar hostess, constantly in debt, is faced with numerous social constraints and challenges posed to her by her family Even lying here, thoughts of bills torment my dreams. Films where a city defines the film to the point where it becomes an integral character. Even though I lived in Japan for 3 years, the hostess bar culture remains a very foreign concept to me. So much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans. please give this a watch! TMDb Each route has dangers, including investors demanding a return on their loans. The veil of social decency morphs into a veil of affection, relations predicated on the commodity of love making true human connection impossible to find. When a woman ascends the stairs, she steps into the den of lions. Original title: Onna ga kaidan wo agaru toki. Keiko has a quiet dignity that attracts men, but are they what they seem? When a Woman Ascends the Stairs (1960) Turn off light Favorite Server clipwatching Video Player Server vidoza Video Player Server gounlimited Video Player MissMIster Καλλυντικά Ομορφιά & … Men are f**king cruel. She gives herself entirely to her work, body and soul and heart and…. Hideko Takamine is perfect in the main role, taking on specific and symbolic weight with naturalistic brilliance. Directed by Mikio Naruse. They simply want to own her. The driving force to Lightning is none other than Hideko Takamine, who, from what I gather, is a frequent collaborator of Mikio Naruse.… Anybody claiming to be a hardcore fan of Japanese cinema must recognize the name and talent of the great Hideko Takamine, who stars in her role as Keiko, a woman that seems to be deprived of options. I've been putting off watching this because I thought it was going to be quite a formal and serious affair based on the poster and title, but I knew I was wrong the moment the jazzy theme started playing to the opening credits. Made by fans in Auckland, New Zealand. On the one hand, it was pure melodrama, with Keiko getting buried by indignity after indignity, never able to escape mounting obligations, complete with a friend’s accidental death and a nephew who needs an operation to walk. This review may contain spoilers. But appearances can be deceptive, and in this world we follow the life of Keiko. Report this film. It was a shame to watch men build rules, boundaries and trap women, who were dealing with their own opressive counterparts/older generation. - Gorgeous b&w cinematography, slow af slow cinema that took me multiple tries to finally sit down and finish all the way through. Even lying here, thoughts of bills torment my dreams. Directed by Mikio Naruse. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. On my fifth or so viewing, Hideko Takamine still emotes oh so wonderfully. Show All… The Battle of Chile Part One represents all three parts. Mobile site. Patrons go to bars to escape the pressures of the world, the responsibilities of their families, the burden of their work; their love of this world might be real, but it can never be true. It's my first time seeing a Mikio Naruse film, also first time seeing the beautiful Hideko Takamine on screen. Now I see why lumenal loves this film so much, campaigning passionately for this to be the starting point of my venture into Naruse's filmography. While she was capable of being as endearingly expressive as a Barbara Stanwyck or a María Félix, to name two of her equally gifted classical-era counterparts from abroad, she also often showed that she could be just as subtle and restrained as the best of them—as she does here, conveying her character's underlying emotions and feelings with the most minute of gestures. Thank you! Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. Show All… She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. , of objectification, where patriarchal systems take on a cynical new air 她独自步上楼梯,这楼梯狭窄陡峭也只容得下一人。每一次抬起脚,踩下去便是 … Directed by Mikio Naruse for. Naruse films, featuring a remarkable performance by the great Hideko Takamine think! Counterparts/Older generation beautiful Hideko Takamine is powerful, she 's a hostess on the new. 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